Those Were The Days: It is possible that many of the young audiences below the age of 40, watching D For Drama’s Golden Jubliee have no idea what the term…
Review
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The Dreamers: There is—always has been—a subset of people drawn to Mumbai, the city of showbiz, hoping for their talent to be discovered, getting that elusive break and maybe reaching…
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Through The Looking Glass: It is pleasantly surprising to see a young director pick up a difficult play, like GP Deshpande’s Udhwastha Dharmashala (Marathi), and attract a full house for the…
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Over The Rainbow: There was a time, not too long ago, when live-in relationships were considered the height of boldness, and people talked in subdued tones about homosexuals. Now, there…
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Save The Book: Many must have had to look up the meaning of Aaeen—the sound of the word has a certain romance to it, which Samvidhan does not, neither does Constitution, both of…
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Rewind, Remind: It has been almost a quarter of a century since Stephen Belber’s Tape first opened in 1999, and in the intervening years, the #MeToo movement brought to the…
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Matters of Faith: Miracle On Matunga Street, directed by KK Raina, is Ila Arun’s second adaptation of a Tom Dudzick play after Namaste (based on Greetings). Both bring up in…
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Walking Tall: When we talk of gender issues, it is invariably about the suffering of underprivileged women, as if to say educated, rich women with supportive families are spared any…
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Spiritual Quest: Some of Makrand Deshpande’s earlier plays were inspired by mythology and presented his own twist to well-known stories. In his more recent work—RAM, KRISHNA and the latest BUDDHA–…
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Soul Saga: The life of Sufi poet Amir Khusrau lends itself beautifully to a musical dastaangoi performance, especially if writers-directors and lead actors Ajitesh Gupta and Mohit Agarwal are also excellent singers.…