Once Upon A Time In Mumbai: The textile mills strike in Mumbai, that led to a lockout and mass unemployment in the early eighties, had a long term impact…
Category:
Dramaah
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As her group Being Association celebrates its seventh anniversary, rewinding to an interview with Rasika Agashe: Rasika Agashe has done, and is doing, her share of commercial theatre, but she…
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Deadly Daughter: The right cast sometimes lifts a production several notches; when performers like Vandana Gupte and Pratiksha Lonkar are on stage, they add spark to the most mundane…
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As Chandrakant Kulkarni’s new play Haravlelya Pattyancha Banglaa runs to packed houses, here’s revisiting an interview with the director: Thirty-two years ago, Chandrakant Kulkarni had moved to Mumbai from Aurangabad,…
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As Mita Vasisht starts a long run of her play, Lal Ded, this week, here’s revisiting a recent interview : In spite of keeping busy with films, television, web series,…
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Devika Rani returns for another run– posting an interview with the prolific Joy Sengupta: Joy Sengupta has at least four plays running at any given time, he also does films, ads…
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The Sisterhood Way: The completion of 300 shows of Sangeet Devbabhali is a good time to revisit a review written in 2018. A man ignores his wife and home because…
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It was in January 1979, a couple of months after the inauguration of Prithvi Theatre in Mumbai, that Katare formed his group, Yatri, and staged the satirical play Ek Tha…
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As Trishla Patel sets to open her new production of Catch 22, revisiting an interview with her last year. Trishla Patel arrives from the rehearsal of the Naseeruddin Shah-directed Aurat…
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Three To Tango: The plays Abhishek Pattnaik writes have unusual ideas, but he is an excellent actor too. His performance as a middle-aged Oriya professor in Two Adorable Losers was brilliant,…